Statement V

From 2014

Statement V • 8″ x 10″

Another collaboration in the Statement series – this one courtesy of my friends Jennifer and Dave. Dave is a connoisseur of bowties and has written an eBook all about them. He had this great photo for the cover, so in exchange for borrowing it for a painting, I created a few layout options for the cover.

The bookcover

What you see here involved a little Photoshop work on the layout and colors. Though I liked this source photo best, it was opposite of the orientation I hoped to use. I flipped the photo and adjusted the orientation of the hand (right hand = no ring) and the shirt placket so they would be accurate. I also shifted the color of the tie from an executive red to a stylish purple. I came up with three cover variants, and they chose the third one.

Go check out the eBook and elevate your bow tie game!

This one has a particularly textbook-like feel.


This one's a little more like a cookbook.


I call this one the "O'Reilly".

How To

The painting

I ran into my classic dilemma with skin tones here. I usually end up skewing them too pale to counterbalance the warmth of the underlying tones. Those are the middle awkward steps.

The texture of the bowtie fabric was particularly fun to paint. Not only did the fabric weave run perpendicular to the stripes, it also had a little bit of a sheen that created some interesting highlights and shadows. One comment I got upon showing this to a friend: “I just want to run my fingernails across it!”

Sketch first, as always.


Yellow ochre fills in most of the foundation.

Yellow ochre

Midtones in burnt sienna.

Burnt sienna

Just a touch of burnt umber.

Burnt umber

Here's the point where it starts getting a little dodgy: the ultramarine.


So purple! It's a starting point, I suppose.


Went a little wild on the yellow/taupe tones, especially on the shirt.

Lightening up

Bringing in the crisp white for the shirt and tie helps a lot.

Bright stripes

A few shadows help make it less flat. Pretty happy with the subtle shirt folds too.


The skin tones needed more warmth, and a bit more definition on the neck.

A little warmth

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