Author: JuliePage 3 of 5
3rd of 4 in the Harvest series – avocados, cut open to show off the green insides and shiny pits.
Another fruit in the Harvest series – this time, a little pile of blueberries. This one’s more of an experiment in subtle patterns within a dense texture.
I was struck by the lighting and the rhythm of the layout. Two other people were there, quietly enjoying a dinner, so I surreptitiously snagged a photo that I decided to make into a painting.
Here’s a bright little drawing of persimmons from memory. I drew this with Prismacolor pencils to experiment with blending techniques to replicate the muted sheen on the fruit.
This is a painting of Tahuya, a spot in Washington that has a genuine inland fjord. Fjords: not all in Norway!
In celebration of the warmer weather and the end of the drought, I created this series of things that grow in the ground. I always like cutaway-style illustrations so I created a view of what’s above and below the ground.
I used the visual language of the intertitles from a silent movie, The Birth of a Nation, for two reasons: because of its melodramatic emoting, and because of its role as white supremacist propaganda.
When I thought of the theme, “Elevate”, I thought about how people express themselves with gestures. I picked a movie for each of the 13 days of Cinequest to be represented here by gestures from one of their characters.
This calendar re-paint is about a story of a farmer who loses a sheep because a wolf snuck through a broken part of a fence.
This calendar re-paint reflects a Chinese folktale about a little monkey who came down from the mountain.
Each of these started off as a giveaway calendar from a Chinese restaurant. I’ve been collecting these and “repainting” them by painting over everything except the main image.
This new painting is based off a photo I took at the Jack Rose, tucked away off Highway 9 between Los Gatos and Saratoga.
Mixing is the last of seven technologies I’ve explored in Prior Art: analog media manipulation and vintage virtual reality.
Reel-to-Reel is the sixth of seven technologies I’ve explored in Prior Art: analog media manipulation and vintage virtual reality.
Transfers are the fifth of seven technologies I’ve explored in Prior Art: analog media manipulation and vintage virtual reality.
Darkrooms are the fourth of seven technologies I’ve explored in Prior Art: analog media manipulation and vintage virtual reality.
Zoëtropes are the third of seven technologies I’ve explored in Prior Art: analog media manipulation and vintage virtual reality.
Stereoscopes are the second of seven technologies I’ve explored in Prior Art: analog media manipulation and vintage virtual reality.
Typesetting is the first of seven technologies I’ve explored in Prior Art: analog media manipulation and vintage virtual reality.