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Here’s a bright little drawing of persimmons from memory. I drew this with Prismacolor pencils to experiment with blending techniques to replicate the muted sheen on the fruit.
I went with the first thing that came to mind since it had a few distinct images in it: Cat’s In the Cradle by Harry Chapin (or Ugly Kid Joe, depending on your era).
This is a painting of Tahuya, a spot in Washington that has a genuine inland fjord. Fjords: not all in Norway!
A sketch from a discreet location – the Palace Theater at The Speakeasy in San Francisco.
This is a Zelda-themed repaint for my friend Jeremy who has a whole black/white/red setup for his motorcycle & gear.
In celebration of the warmer weather and the end of the drought, I created this series of things that grow in the ground. I always like cutaway-style illustrations so I created a view of what’s above and below the ground.
I used the visual language of the intertitles from a silent movie, The Birth of a Nation, for two reasons: because of its melodramatic emoting, and because of its role as white supremacist propaganda.
This is the last batch of sketches from a sketchbook I carried with me (theme: Undefined Variables).
When I thought of the theme, “Elevate”, I thought about how people express themselves with gestures. I picked a movie for each of the 13 days of Cinequest to be represented here by gestures from one of their characters.
Not too much story on these; I mostly picked it as an excuse to draw different people and to think through the meaning of tattoos.
I just finished hanging a dozen pieces of art at Bel Bacio coffee shop in San Jose’s Little Italy.
This calendar re-paint is about a story of a farmer who loses a sheep because a wolf snuck through a broken part of a fence.
This calendar re-paint reflects a Chinese folktale about a little monkey who came down from the mountain.
Each of these started off as a giveaway calendar from a Chinese restaurant. I’ve been collecting these and “repainting” them by painting over everything except the main image.
These are linocut prints of the San José Electric Light Tower, a tower that spanned an intersection and provided the first electric lighting west of the Rockies.
I’ve been meaning to do more with watercolor pencils to get a better grasp of how to work with them.
This new painting is based off a photo I took at the Jack Rose, tucked away off Highway 9 between Los Gatos and Saratoga.
These frames reminded me of the soot around a fireplace so I created these three illustrations of shadow puppets.
Mixing is the last of seven technologies I’ve explored in Prior Art: analog media manipulation and vintage virtual reality.