I haven’t done many abstract works so this is a bit of an exploration for me.
About 15-20% of what I came across ended up working for this particular project. Here are the various reasons why pieces were either non-starters or failed along the way.
This show is the culmination of two years of collecting amateur landscapes in need of a little love.
This March is my second solo show at Kaleid Gallery in downtown San José!
Last one in the Harvest series skews tropical with papayas. This ended up being both the biggest fruits (only four on here) with the smallest details (little black seeds).
3rd of 4 in the Harvest series – avocados, cut open to show off the green insides and shiny pits.
Another fruit in the Harvest series – this time, a little pile of blueberries. This one’s more of an experiment in subtle patterns within a dense texture.
I was struck by the lighting and the rhythm of the layout. Two other people were there, quietly enjoying a dinner, so I surreptitiously snagged a photo that I decided to make into a painting.
Here’s a bright little drawing of persimmons from memory. I drew this with Prismacolor pencils to experiment with blending techniques to replicate the muted sheen on the fruit.
This is a painting of Tahuya, a spot in Washington that has a genuine inland fjord. Fjords: not all in Norway!
A sketch from a discreet location – the Palace Theater at The Speakeasy in San Francisco.
In celebration of the warmer weather and the end of the drought, I created this series of things that grow in the ground. I always like cutaway-style illustrations so I created a view of what’s above and below the ground.
Each of these started off as a giveaway calendar from a Chinese restaurant. I’ve been collecting these and “repainting” them by painting over everything except the main image.
I’ve been meaning to do more with watercolor pencils to get a better grasp of how to work with them.
This one is for friends Ted and Claire who live in Colorado, land of extremely variable weather. They wanted a painting that reflected some of the color and variety they see on a daily basis.
I’d had a few artist trading cards with me, so I started sketching the view from Roy’s.
I decided I wanted to paint more, and to make more paintings for friends.
In hindsight, I realize that three things made it possible to paint, and finish, now: a deadline, the daytime, and having peaches (both cut and whole) nearby.
I brought down a folding chair to the dock and sketched this during two sessions.